Rembrandt Cyberangels Return from Israel to Cincinnati Art Museum to Herald Corona’s End
By Mel Alexenberg
Open the website of Cincinnati Art Museum and you’ll read
that it’s closed:
“While our doors may be closed, we won’t let that keep us
from our mission to inspire, challenge and delight you. Please check our
website and social media channels for daily up-dates and additional digital
offerings to bring the arts, artists of today and the creative process to you
at home or wherever you may be.”
It is significant that Cincinnati Art Museum has closed its
physical space but opened in virtual space. As the coronavirus pandemic has
forced us to hide at home away from everyone, the world of smartphones,
laptops, Zoom, and the Internet is inviting us to come out of hiding and
connect to anyone.
As an artist who has pioneered in creating art in virtual
space, I launched cyberangels from Israel to High Museum of Art and 30
other museums throughout the world as an homage to Rembrandt on the 350th
anniversary of his death on October 4th. These museums have my Rembrandt inspired
artworks in their collections. My lithograph “Angel Announcing Birth of
Samson to Manoah” lithograph has been in the collection of the Cincinnati Art
Museum since 1986.
I sent cyberangel on a faxart flight around the globe via
AT&T satellites in 1989 on the 320th anniversary of Rembrandt’s
death. On the morning of October 4th, it ascended from New York,
flew to Amsterdam to Jerusalem to Tokyo to Los Angeles, returning to New York
on the same afternoon. When it passed through Tokyo, it was already the morning
of October 5th. Cyberangels cannot only fly around the globe, they
can fly into tomorrow and back into yesterday.
My current blog Global Tribute to Rembrandt documents
the cyberangels entering the Cincinnati Art Museum and each the 30 other
museums with images enriched with texts on the impact of digital culture on art
that I developed when I was professor at Columbia University and research
fellow at MIT Center for Advanced Visual Studies. The blog post’s title is “Cincinnati
Art Museum: 6,195 miles from Jerusalem, Israel; 228 miles from JerUSAlem, Ohio;
or 0 cybermiles via the Internet Cloud.”
I am reactivating a
cyberangel team led by the angel Raphael to return to Cincinnati Art Museum
when it reopens to herald the grand finale of the coronavirus plague. The angel
Raphael works to heal bodies, minds and spirits. “Raphael” is related to the
word rophe, the divine healer in biblical Hebrew (Exodus 15: 26),
and medical doctor in contemporary Hebrew.
These digitized angels dormant in museum flat files awakened
to adorn the cover of my book Through a Bible Lens: Biblical Insights
for Smartphone Photography and Social Media. The book’s cover is based
upon my artwork in the collection of the Israel Museum that I created in
Jerusalem. It shows cyberangels ascending from a NASA satellite image of the
Land of Israel as they emerge from a smartphone screen. It illustrates the
biblical commentary that the angels in Jacob’s dream go up from the Land of
Israel and come down to earth throughout the world. “A ladder
was standing on the ground, its top reaching up towards heaven as divine angels
were going up and down on it.” (Genesis 28: 12) A smartphone has the
power to make this vision a reality.
Through a Bible Lens offers biblical insights for the
new media age. It was published shortly before the coronavirus pandemic
erupted, anticipating the need for spiritual insights for coping with the
radical changes in our lives in physical isolation while demonstrating how new
media can connect us in virtual space. The book demonstrates to people of all
faiths how biblical insights can transform life, in good times and bad, into
imaginative ways of seeing spirituality in all that we do.
Distinguished
professor Dr. Shaun McNiff, author of Earth Angels: Engaging the Sacred in Everyday Life, writes that Through a Bible Lens
integrates wisdom about the Bible, creative thought, and cyberangels. “It is
the most recent, and arguably one of art’s most complete and compelling
integrations of the sacred and profane. It reads like a swift and soulful
breeze. I love every ‘byte’ of it.”
Australian theologian Dr. Shimon Cowen, author of Aesthetics and the Divine, called my book “a mystical computer
program for spiritual seeing.”
The cyberangels will herald the end of the COVID-19 pandemic
by taking virtual flight to the Cincinnati Art Museum and 30 other museums on
five continents when they reopen. They will begin their flight from the Israel
Museum’s Shrine of the Book in Jerusalem, home of ancient Bible scrolls. People
throughout the world will “Awaken and shout for joy” (Isaiah 26: 19)
when the curtain comes down at the end of the plague.
The writer is author of the highly acclaimed book
Through a Bible Lens: Biblical Insights for Smartphone Photography and Social
Media (HarperCollins Christian Publishing) and The Future of Art in a
Postdigital Age: From Hellenistic to Hebraic Consciousness (Intellect
Books/University of Chicago Press). He is former professor at Columbia
University, research fellow at MIT Center for Advanced Visual Studies, and in
Israel where he now lives, professor at Ariel and Bar-Ilan universities and
head of Emunah College School of the Arts in Jerusalem.
Captions for attached images:
Cyberangels arrive from Israel at the café of the Cincinnati
Art Museum since food and angel are spelled with the same four
Hebrew letters to tell us that angels are spiritual messages arising from everyday
life
Contact the author: melalexenberg@yahoo.com,
+972-52-855-1223 (in Israel)
Sent to Rasputin Todd, The Enquirer, editor of Entertainment & Lifestyles, rtodd@enquirer, 5 May 2020